The movie kicks off like any other Russ Meyer film with a briskly cut burst of vivacity as a striking and buxom woman (Mora Gray) walks her German shepherd (or as is really case, is being walked by her German shepherd). However, the film quickly settles into the car of two vice cops who ogle […]

Read More THE SEVEN MINUTES (1971)


While the reputation for Tobe Hooper’s The Texas Chain Saw Massacre damn near drowns in its tangential relation to real-life serial killer Ed Gein, there is rarely a peep of recognition for Spider Baby, Jack Hill’s incredible film from 1967 which feels like more of a direct influence on the film than the legend of […]

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“The film you are about to see is based on a true story. The names of places and persons have been changed to protect the innocent. But it could have happened anywhere or to anyone, even to you.” So says the text that opens Water Power, hardcore pioneer Sean Costello’s notorious 1976 shocker. And, in […]

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DEMENTIA 13 (1963)

At this point in his life, Francis Ford Coppola is all about legacy. An octogenarian, he’s practical enough to know that time is fleeting and that there are some of the films in his oeuvre that simply aren’t going to re-frame themselves. His work in the 1970’s is definitely secure and needs no extra effort […]

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In Russ Meyer’s Cherry, Harry & Raquel!, released in 1969 as the filmmaker inched closer to Hollywood, the cock of Erica Gavin’s eyebrow causes the soul of Vixen to discorporate and it finds itself inhabiting the shell of Uschi Digard, herself trapped in a lunar landscape of desert nothingness where man’s determination grinds fruitlessly against […]

Read More CHERRY, HARRY, & RAQUEL! (1969)

VIXEN! (1968)

The cool and calming bush country of the Canadian northwest, a far cry from the usual Californian and southwest American hotspots that serve as the playing fields for Meyer’s usual cast of characters, proves itself incapable in staving off the creeping evil that invades the hearts of men and women like. For amid the peaceful […]

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Back in the midst of something that could pass for civilization after the remote and riparian rumpus that was Common Law Cabin, Russ Meyer began to sharpen his satirical knives with Good Morning… and Goodbye! Raucous and horny, sweaty and dirty, Good Morning…and Goodbye! mixes elements from almost every Russ Meyer film that came before […]