COME BACK TO THE FIVE & DIME, JIMMY DEAN, JIMMY DEAN (1982)
With cinematographer Pierre Mingot’s camera crawling across the dusty and crowded aisles of the shabby Woolworth’s five-and-dime aided by nothing but the sound of the hot Texas wind blowing in the background, the stillness is shocking and the silence is deafening. After the assaultive soundtracks and busy tableaux of Robert Altman’s body of work from […]
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