Opening on an image that links fashion with death (“Poison”) and the purchase of two gaudy Christian Dior ties, an acerbic tone is immediately set for Robert Altman’s Ready to Wear (initially titled Prêt-á-Porter,which it retains in its opening credits). After all, a film that promises to take a gander at the world of the […]

Read More READY TO WEAR {PRÊT-Á-PORTER} (1994)